I am excited to participate in the second Art Olympia competition, where we can discover emerging artists and see their artworks filled with ambition and creativity. I am hoping that Art Olympia continues to grow as an international competition where in succession the new talents can spread their wings around the world.
Born in Kyoto in 1947. Graduated from Waseda University, department of literature. He is presently President of Tama Art University,
Director of The Museum of Modern Art, Saitama, and chairperson of the Japanese Council of Art Museums. Previously he worked at
editorial department of Shincho Art, served as Director of The National Museum of Art, taught as a professor at Tama Art University.
Tatehata specialized in modern and contemporary art and also served as the Japanese Pavilion Commissioner at La Biennnale de
Venezia in 1990 and 1993, Artistic Director for Yokohama Triennale 2001, and Aichi Triennale 2010. As a poet, he received awards
from several of his publications including: the Reiteki New Poet Award with “Yohaku no Ranna (Runner in the margins)” Shinchosha
Publishing, Takami Jun Award with “Reido no inu (The dog of zero degrees)” Shoshiyamada Publishing, and Hagiwara Sakutaro Award
with “Shigo no ressun (Lesson of Dead Language)” Shichosha Publishing.
I strongly believe that we will be able to find gemstones through Art Olympia and introduce them to the world. Everyone has an equal oportunity. It is all up to you whether you try to seize this oportunity or watch it pass by. Decisions that you make can alter your life. Be brave and have confidence in yourself. I’m looking forward to seeing your work at the show.
Painter. Hiroshi Senju’s representative work “Waterfall” received Honarable Mention at the International Art Exhibition, La Biennale de
Venezia, in 1995. He was commended by Foreign Minister of Japan for his outstanding achievement in worldwide reputation with his
waterfall and cliff images in 2016. From 2007 to March 2013, he served as President of Kyoto University of Art and Design and
currently teaches there as a professor. He also serves as Director of Koyodo Museum of Art which is affiliated with the Kyoto
University of Art and Design; President of the joint education system Geijutsu Gakusha (Institute of Art) between Kyoto University of
Art and Design and Tohoku University of Art and Design; masters committee member of L’ÉCOLE of Van Cleef & Arpels.
One of the joy of being a juror at a competition is encounter with unexpected works. Iv’e done judging for many competitions with differnt forms of art, such as paintings, photographies, moving images, and new media. But great works transcend the realm and the boundaries in no time, give us whole new recognition of the world, and bring such a fresh feeling to us. And I find it funny but those type of strong, unforgettable artists, we often come across their works again later on in different part of the world.
Tokyo born, and Tokyo and Paris based art critic and curator. After teaching at Musashino Art University for 12 years, Okabe holds
current position as Artistic Director of exhibition department of Japanese Culture House of Paris, as well as an adviser of Shiseido
Gallery. She graduated from International Christian University with a bachelor’s degree, and from Paris-Sorbonne University with a
master’s degree. She completed 3rd course at Ecole de Louvre. As a curator, she co-curated “Japon Des Avant Grades 1910-1970” at
Pompidou Centre in Paris, curated "Art Project in Miyagi” after the Great East Japan Earthquake, and recently Japan Media Art
exhibition in Paris. Okabe’s publishing includes; "Art Field French contemporary art”, Ato to josei to eizo (Art, women, and images),
co-written and co-edited Ato ga shiritai (Want to know about Art), and her video direction work “Atsuko Tanaka; mou hitotsu no gutai
Art Olympia is a truly fair competition, where jurors look at solely the artworks but nothing else. So if you want to be a professional artist but haven’t got the chance yet, this is the competition for you. The unknown artist won the first prize in Art Olympia 2015 and bursted into the spotlight. Now he attracts attension in the art world. Enter the competition with your best work filled with your creativity and test your ability.
Vice President of Tokyo University of Arts.Hoshina is studying at Tokyo University of Arts to compelete his docotoral program in art.
In 2002 and 2003, He visits the United States as a Ministry of Education, Culture, Sports, Science and Technology research worker
abroad, in order to inquire about the new possibility of the environmental art installation of the United States and Europe. He
organized the first Setouchi Triennale “Story of the Island Art Project” in Shodoshima in Kagawa prefecture in 2010. As an artist, his
works were exhibited at “Paris Biennale” at Paris Citizen Museum of Art in 1982, 2nd Echigo-Tsumari Triennale in 2003, International
Media Art Biennale” Beijing, China in 2008, Ichihara Biennale “3D Landscape painting project” in 2014, and many other exhibitions. He
was an invited artist for Ueno Royal Museum grand prize.
The Art Olympia is becoming more and more recognized in the art world. It's a great opportunity for you and your artworks to get the world's attention. Make every attempt to excel and every effort to surpass you previous works.
Painter. Professor of Musashino Art University.Born in Tokyo in 1947. Graduated from Musashino Art University Junior College.
Paticipated Japanese Ministry of Education Research Program in India between 1986-1987.She received many awards including
Takeshi Hayashi Prize at Showa-kai Exhibition in 1978, Awarded Yasui Award prize at The 29th Yasui Award Exhibition in 1986, The
2006 Minister of Education's Art Encouragement Prize in 2007, Medal of Honour, Medal with Purple Ribbon (Shiju Hosho) in 2014.
Her work is in the collections of Cultural Affairs Agency of Japan, the National Museum of Modern Art, Tokyo, the Museum of Modern
Art, Ibaraki, the Museum of Modern Art, Toyama, Yokohama Museum of Art and many others.
Brett Littman has been the Executive Director of The Drawing Center since 2007. Previously he was the Deputy Director of MoMA PS1,
Co-Director of Dieu Donné papermill and Associate Director of UrbanGlass. He has contributed news and commentary to a wide range
of international publications and critical essays to many exhibition catalogues. As a curator, Littman has organized exhibitions for The
Drawing Center and other non-profits and galleries worldwide.
|Kara Vander Weg|
Kara Vander Weg is a Director at Gagosian Gallery New York, where she has worked for more than eight years. Her primary focus is
the management of established artists and their estates, including The Richard Avedon Foundation, the Estate of John Chamberlain,
the Estate of Walter De Maria, Michael Heizer, Neil Jenney, and Mark Tansey. She has organized more than a dozen exhibitions and
affiliated books for the gallery. She was a Director at the James Cohan Gallery in New York, and she worked in the curatorial
department of the Solmon R. Guggenheim Museum, New York, from 1998 until 2003. She has written on art for publications such as
Art on Paper, Contemporary, Gentleman’s Quarterly Magazine, and Glass Quarterly. She holds a B.A. in Art History from Northwestern
University and an M.A. in Art History from Williams College.
Chu is a painter who lives in Taipei, Taiwan. He is the founder and director of the Kuandu Museum of Fine Arts as well as the
professor of the Department of Fine Arts, Taipei National University of the Arts. He graduated from L'Ecole Nationale Supérieure Des
Beaux-Arts De Paris, and L'Ecole Nationale Supérieure Des Arts-Decoratifs De Paris in France. Chu is the advisor for visual arts section
of the Ministry of Culture and the National Culture and Arts Foundation. He has been involved with many public arts projects and the
establishment of the Art Bank in Taiwan. He is also the committee member of the National Taiwan Museum of Fine Arts and Taipei
Fine Arts Museum.
Florence Derieux is Curator of American Art of the Centre Pompidou Foundation and Curator-at-Large of the Centre Pompidou. She
formerly was Director of the FRAC Champagne-Ardenne (2008-2016); Curator of Art Basel Parcours (2013-2015); Associate Curator
of Le Magasin-Centre National d’Art contemporain in Grenoble (2007); Curator for Contemporary Art of the Museum of Fine Arts in L
ausanne (2005-2006); Deputy Director of the Picasso Museum in Antibes (2002-2004); Curator at Palais de Tokyo in Paris (2000-2002).
She is a member of Etant donnés, the French-American Fund for Contemporary Art since 2012. Her most recent publications include
“Tom Burr. Anthology: Writings 1991-2015” (Sternberg Press, 2015) and “Agnes Denes: Work 1969-2013” (Mousse Publishing, 2016).
Simon Njami (born in 1962 in Lausanne) is a writer and an independent curator, lecturer, art critic and essayist.Njami is the
co-founder of Revue Noire, a journal of contemporary African and extra-occidental art, and he was Visiting Professor at UCSD
(University of San Diego California).After conceiving the Ethnicolor Festival in Paris in 1987, he curated many international exhibitions
being among the first ones to think and show African contemporary artists work on international stages. Njami is the curator of “Africa
Remix”, showed in Düsseldorf, London, Paris, Tokyo, Stockholm and Johannesburg, from 2004 to 2007. He co-curated the first African
Pavilion at the 52nd Venice Biennale. He is the Artistic Director of the 12th Dakar Biennale (May 2016).